" the effects in a man called hero are different from the surreal , bright effects stromriders , " says chung 钟志行说： “ 《中华英雄》里的特效有别于《风云》里超现实主义和辉煌的那种。
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While the digital effects in a man called hero were complicated and intricate , chung says the artists experience with blue screen shooting and compositing while doing commercial work enabled them to step up to this big - screen challenge 钟志行说虽然《中华英雄》里面的数字特效很复杂，却使许多平时处于幕后合成商业广告的工作人员有了挑战电影的机会。
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To ensure that the digital and composite artists could achieve photorealism for the films effects so they would blend seamlessly into the live action , chung had them study and analyze photos and photorealistic style images and paintings from the 1900s for better understanding of the requisite lighting , depth and texturing 为了确保数字和合成的艺术家能创造出那种超逼真的特效并天衣无缝地混合到电影动作当中，钟志行让他们学习和分析20世纪现实风格的图片图像及油画以更好地了解必要的光感，深度和肌理。
