| 1. | In this film , we are seeing the diegesis through the eyes of yukie
从戏中人物可见，人是主动的，而不是环境控制人。 |
| 2. | Starting from the beginning of the film , we are already soaked in the dark and mysterious environment of the diegesis . the use of noir cinematography hits right at the point
不过撇除以上特点，此片最吸引人的地方其实不是剧情，而是导演张允铉拍摄此类悬疑片的功力。 |
| 3. | I wanted to widen the scope of the diegesis a bit . in order for the actors to develop the chemical effects , it is important for them to work with people they are familiar with
另外我不是想找配角来抢主角戏，主角是要在熟悉的人面前做戏，这才会有化学作用，若换转跟个临时演员做戏，根本没有了化学作用。 |
| 4. | I wanted to widen the scope of the diegesis a bit . in order for the actors to develop the chemical effects , it is important for them to work with people they are familiar with
另外我不是想找配角来抢主角戏，主角是要在熟悉的人面前做戏，这才会有化学作用，若换转跟个临时演员做戏，根本没有了化学作用。 |
| 5. | This scene delineates her complicated psychological state perfectly in visual form . after all , kurosawa is not a politician , he is a filmmaker ! in this film , we are seeing the diegesis through the eyes of yukie
相反，对于女主角原枝子的描写，无论在其心理和行动上，都刻画得非常细致，可见她才是此片中心。 |
| 6. | This scene delineates her complicated psychological state perfectly in visual form . after all , kurosawa is not a politician , he is a filmmaker ! in this film , we are seeing the diegesis through the eyes of yukie
相反，对于女主角原枝子的描写，无论在其心理和行动上，都刻画得非常细致，可见她才是此片中心。 |
| 7. | Not only is the rhymthm getting slower and slower , the suspense is also gone as the focus of the story has turned from a more realistic world to a totally comical diegesis where a logical plot is no longer the concern of the filmmaker
可是到了中段后，剧情便渐渐失控。很多情节不但不能自圆其说，后来更是愈拖愈慢，尾段的打斗尤其缓慢沉闷，完全为打而打，前段建立的剧力变得荡然无存。 |
| 8. | Not only is the rhymthm getting slower and slower , the suspense is also gone as the focus of the story has turned from a more realistic world to a totally comical diegesis where a logical plot is no longer the concern of the filmmaker
可是到了中段后，剧情便渐渐失控。很多情节不但不能自圆其说，后来更是愈拖愈慢，尾段的打斗尤其缓慢沉闷，完全为打而打，前段建立的剧力变得荡然无存。 |
| 9. | Perhaps it does not have a very strong and intact narrative , perhaps the depiction of the emotions of the characters is not very impressive , nevertheless , the vigorous and innovative cinematic style of the director is still able to keep you fully engaged in this totally insane and colorful diegesis
或许此片没有很巧妙的故事桥段，或许在描写人物情感上不算太深刻，但是编导生动刺激的拍摄手法著实令人看得过瘾，零活调动的镜头也充满活力。 |
| 10. | It is mainly done by shooting from a long and fixed shot , the camera might hold still for a moment even when there is no action actually taken place on the frame . it is said that the longer the screen remains motionless , the more our attention is drawn to the diegesis of the film . in
寂静不动的镜头和融情入景的处理手法是此片最值得称道之处，这也是近来不少亚洲电影的趋势，如触不到的恋人甚至我的父亲母亲等，都能透过优美的摄影把风景和人物感情相结合，拍出触动人心的真澈情感关系。 |
