| 1. | I ' m sorry . - his embouchure . that ' s all right
我很抱歉。他是管弦乐手。没问题。 |
| 2. | - i ' m sorry . - his embouchure . that ' s all right
我很抱歉。他是管弦乐手。没问题。 |
| 3. | So you can forget about your lousy , little embouchure
因此忘记关于你的恶心管弦乐。 |
| 4. | I want you aware of my embouchure . - your what
我想要你知道我是管弦乐手。你是什么 |
| 5. | - i want you aware of my embouchure . - your what
我想要你知道我是管弦乐手。你是什么 |
| 6. | That could screw up my embouchure
这关系到我的饭碗。 |
| 7. | Reeds themselves are a basic issue and take a while before you and your embouchure know what you are doing
哨片是一个很基本的硬件要素，需要你和你的口型有一段适应时间。 |
| 8. | Depending on your desire to play with this embouchure , you will experience difficulty in playing throat f , and high c
取决于你对使用这个口型的热切程度，你会经历一段时间难以演奏鼻音f和高音c 。 |
| 9. | I suggest using double lip embouchure , in my opinion , the most beneficial embouchure , especially for solving problems of biting
我建议使用双包口型? ?在我看来最有益的口型，同时能够解决下唇咬疼的问题。 |
| 10. | If the tongue is tense , that tension will carry over into the embouchure ( and vice versa ) , interfering with vibration of the reed and frustrating the player
如果舌头太紧，这种力量会同时影响到口型，改变哨片的振动并影响演奏者。 |
