| 1. | Cinespot : a great auteur - yasujiro ozu Cinespot动映地带:黑泽明的电影文化 |
| 2. | Yasujiro ozu is one of the most important directors in japan 是次影展合共放映14部日本动画, |
| 3. | Without the pessimism of ozu and keisuke , yamada ' s " tora - san " comes from a contented and happy family 相对于小津的无常无奈、木下的感伤与焦虑,山田的寅次郎一家是幸福、快乐的。 |
| 4. | One of the most private of ozu ' s films , " there was a father " is resemblance of his early work , " the only son " 本片是小津早期的作品《独生子》的变奏,描写相依为命的两父子,一直在乡间生活。 |
| 5. | It is the most distinguishable trademark of ozu and the most important element in positioning him as an auteur 赤胡子-又是一近三小时的电影,节奏颇慢,但是内容有趣,适合有耐性的观众欣赏。 |
| 6. | A camera position that is considered lower than normal eye level is often seen in ozu s films , that it has become his official signature 除此外,电影故事的深度和拍摄手法的灵活运用亦是他的成功之道。 |
| 7. | This earnestly sentimental work traces an old man , played by ozu staple ryu chisu , as he returns to the misty village of his childhood 六十年前,政夫十五岁,寡母操劳成疾,比政夫大两岁的表姊民子过来帮忙,与他感情要好。 |
| 8. | It is heavily related to the subjects of his films and ozu s humane attitude toward the characters of his films . apparently , his films like 七侠四义-此片是必看不可之作,虽然片长超过三小时,但是却完全不觉冗长,闷场甚少。 |
| 9. | No other filmmaker , not even mizoguchi or ozu , was more adored within his home country than kinoshita keisuke 1912 - 1998 中国人摄制电影始于1905年的《定军山》 ,廿年后,导演孙瑜开始他的电影事业,推动中国电影进入第一个黄金期。 |
| 10. | In his darkest hour , daughter atsuko ( frequent ozu heroine , hara setsuko ) shows her beleaguered father the hard - won dignity in starting over 也是原节子代表作,这个洞悉世情的次女儿与父亲起舞,成为全片焦点,也为时代作了精采的解读。 |