Riefenstahl ' s use of moving cameras , telephoto lenses , distorted perspectives and aerial photography captivated audiences 瑞芬斯塔尔采用了移动摄影机、长焦镜头、失真透视和空中摄影技术，令观众为之着迷。
2.
She had an active friendship with hitler , her goggling [ 3 ] admiration of him weirdly reflecting the lethal hero - worship of an entire nation : yet to that extent riefenstahl was a german entirely typical of her time 她与希特勒过从甚密，她对他那种不可思议的景仰反射出整个日耳曼民族毁灭性的英雄崇拜主义? ?由此可见，瑞芬斯塔尔不过是她那个时代德国人的典型代表而已。
3.
This is not entirely their fault , as riefenstahl , in interviews and in print ( her memoirs appeared in 1987 ) , was adept over decades at obfuscating [ 4 ] the straight facts of her relations with individual nazis , the party and their crimes 这不能说完全是他们的错，因为在接受采访时和出版物中（其回忆录1987年问世） ，对于自己与个别纳粹党人、纳粹党以及他们所犯罪行之间的关系，瑞芬斯塔尔数十年始终都闪烁其词，令人难辨真假。
