As late as schoenberg , webern and stravinsky , the propensity for " singing " worked its magic even on their purely instrumental works 晚期如schoenberg , webern及stravinsky (史特拉文斯基) ,即使在他们的纯乐器作品, "唱"的倾向,有效
2.
Composers such as anton von webern , elliot carter , edgard var se , milton babbitt , and luciano berio have devoted followings within the avant - garde , but are often attacked outside of it 例如魏本、卡特、瓦瑞斯、米尔顿?巴比特等人对前卫领域有重要贡献，但是，在此领域外就常常被攻击。
3.
And if it be contended that such research is so supported because in the past it has yielded eventual applications , one can counter with , for example , the music of anton webern , which during the composer s lifetime was regarded ( to the very limited extent that it was regarded at all ) as the ultimate in hermetic , specialized , and idiosyncratic composition ; today , some dozen years after the composer s death , his complete works have been recorded by a major record company , primarily - i suspect - as a result of the enormous influence this music has had on the postwar , nonpopular , musical world 若或争论说,要支持这样的研究,乃因过去以来,研究总能产生应用;就可以,譬如antonwebern ,来答辩:该作家的音乐,在生前被视为, (若在最苛求的范畴,算他有被视到的话) ,澈底地封闭,与众不同,特异体质;今天,在该作家死后数十年,他所有的作品已被某大唱片公司所录音,主要因为-我猜-是他的音乐对战后,非通俗音乐世界,巨大的影响
