| 1. | The spiritual connotation of chinese freehand brushwork
论中国写意画中笔墨语言的精神内涵 |
| 2. | On chinese brush and ink of freehand brushwork in traditional chinese painting
论中国写意画的笔墨 |
| 3. | Thoughts on the visual differences between paintings of fine brushwork and freehand brushwork
工笔画与写意画视觉差异的感悟 |
| 4. | Comparison between the pictures of folk celadon ware and the ones of traditional freehand brushwork
民间青花瓷画和传统写意画之比较 |
| 5. | Her art style is effusive and delicate , full of true love for life and spirit for creation
她的工笔重彩,写意重彩及写意画作品多次参加国内外美术展览并获奖。 |
| 6. | Then it discusses the practical integration of freehand brushwork spirit and rock painting freehand brushwork from practice
在此如出上，又从实践出发来谈到了岩彩画与写意精神的具体结合及岩彩写意画的特征。 |
| 7. | Prior to the rise of the song and yuan dynasty , free style painting , fine brush painting is the main presentation technique of the traditional chinese paintings
摘要在宋元文人写意画勃兴前，工笔画是中国传统绘画的主要表现形态。 |
| 8. | If the painting shows harmony of brush and ink but without form , then they can be called abstract . those between resemblance and not exactly resemblance but full of harmonious presence , are considered as expressionistic paintings and can make you feel full of wonder and interest . as chinese paintings can be executed by using calligraphic skills , calligraphers should be bold enough to learn to paint
即以作山水来说，只要以自己写字熟习的笔致去写画，构成水墨画基本的点线皴，发抒出心中的形似即可形似者为写实画，单单表现墨韵笔致者而无相者，即为抽象画，在形似与不甚形似之间，而气韵充沛者为写意画，可以使你妙趣横溢，所以书画同源，习书法者可以大胆去画，日积月累，无有不成者。 |
| 9. | Beginning from cognizing the relation of rock painting brushwork and chinese painting , this paper analyzes the feasibility of combining of rock painting brushwork and the spirit of freehand brushwork and brings forward the conception of " freehand brushwork of rock painting " which integrates the two essence of freehand brushwork spirit and skill recombination
文章从认识岩彩画与中国绘画的承继关系入手，分析了岩彩画和写意精神结合的可能性并提出融会写意精神和技法重组这两大要素的“岩彩写意画”概念。 |
| 10. | After some time , you will find that you have a kind of vigor and boldness in your brush strokes especially if you have followed the principles in calligraphy strokes . then examine whether your painting has resemblance to reality or not , as they will be considered as realistic , abstract or expressionistic . it is not necessary to be concerned whether this is a new or a traditional style of painting
将你意象中形似即使非形似亦可画出，纸上画面一定会给你一个答复，留着，注个日期，不妨，天天做，这就是日课，过了一些时候，你的笔致，自然会生一股力，最好是以你习字的笔致去做，再审察这些形似与无形似的画，形似者为近写实画，无形似者为写意画，根本无须新派画，旧派画，参考上面说的，你的意象中，如有诗词文的句子，这就是灵感的反应，你的大作即有了画题。 |
