| 1. | Preliminary analysis of script writing of digital imaging art
浅谈数字影像艺术中的剧本创作 |
| 2. | The drama creation and performance arts comes from life and services for the masses
豫剧的剧本创作与表演艺术时刻不忘来源于生活，服务于群众。 |
| 3. | Cartoon play writing is as rare as phoenix feathers and unicorn ' s horn , nobody shows any interest in , a group of desolate business
而动画片剧本创作却是凤毛麟角，无人问津，一派冷冷清清的市面。 |
| 4. | Production on the film , the brainchild of first - time writer and director jarrett schaeffer , is set to begin january 16 in new york , with producers aiming for a commercial release late next year , flock said
该片将由首次参与剧本创作和导演的杰瑞特谢弗执导，并将在明年1月16日开拍，预计2007年发行。 |
| 5. | The depressed cartoon making of the so slow speed can not not only meet domestic cartoon audience ' s demands , and can ' t foster and train out a batch of play writing teams with quality either
这样慢速度的不景气的动画制作不但满足不了国内动画观众的需求，而且也不能培养和训练出一批有素质的剧本创作队伍。 |
| 6. | George clooney is nominated for three oscars , as supporting actor in the thriller syriana and as director and co - writer of good night , and good luck , a film about the legendary newsman edward r
乔治克隆尼被提名三项奥斯卡奖项，分别是惊悚片谍对谍中的男配角，以及晚安，祝好运中的导演兼剧本创作，这部片是新闻传奇人物艾德华?莫若的故事。 |
| 7. | Initially the expressive plays mainly focus on theoretical considerations , and in 1950s and 1960s , the emphasis was on the experiments of the theatrical , and not until the 1970s did the creation of play - texts witness its success and come to its maturity
中国写意话剧的创造，早期主要是理论思考， 20世纪50至60年代着重演剧探索，直至70年代末以来在剧本创作上获得成功才真正走向成熟。 |
| 8. | To enhance the company s creative capability , qin jia yuan will continue to identify and recruit professionals to join its creative team now comprising over 10 members . the team currently has a creation capability of 400 episodes of drama per year depending on the demand
集团在上市后，已成功强化编审编剧部门，网罗十几位在境内及香港已有品牌地位的创作精英加盟，每年电视剧剧本创作量可达400集。 |
| 9. | The names in this roster suggest that creative decisions were still in the hands of filmmakers , while organised political forces stayed behind the scene . it is exemplified by the fact that sima wensen , a bona fide leftist scriptwriter , was not on the list
从这个名单看来，剧本创作仍掌握在真正电影人的手上，而左派组织的参与还倾向低调，连正牌属于左派系统的司马文森也没有在名单上出现，倒隐没于幕后。 |
| 10. | This time , chan again spends very much time on the script , and in fact , the drama portion of the movie is handled even more remarkably well than the action . that might explain why those expecting a lot of chan s trademarked explosions would feel disappointed with the movie
今次也不例外编导花了不少时间在剧本创作之上影片的戏剧部份甚至比起动作更抢镜难怪一心打算看陈木胜搞爆破的观众会失望评论界的反应亦比较不一。 |
