| 1. | Put a stress on the first note in each bar .
每一小节的第一个音符要加强。 |
| 2. | Put a stress on the first note in each bar
每一小节的第一个音符要加强 |
| 3. | Division into measures or bars
节拍将音乐分成拍子和小节的分切 |
| 4. | By 1920 the blues was usually based on the popular 12 bar blues
到1920年，基本上确立了12小节的形式。 |
| 5. | He hummed , prolonging in solemn echo , the closes of the bars
他哼唱着，用庄严的回声拉长了各小节的尾音： |
| 6. | It consists of a sequence of stanzas , each of which describes an action to be executed
它包括了一个小节的序列，每个小节描述了一个将要被执行的操作。 |
| 7. | Music is divided into equal parts called measures a bar line divides one measure from another
音乐被区分相等部份为称（ “小节线”每一小节的竖线） （从一小节到另一小节之间） 。 |
| 8. | Strong accents occur at the beginnings of bars and other notes may be accented by the use of an accent sign > , placed over the written note
重音出现在小节的开始部分，其他音如加重可在音符上用重音记号“ > ” 。 |
| 9. | We can divide the bars of a 12 - bar blues in two , just as we did with the 8 - bar blues . the result is a 24 - bar form
我们可以把12小节布鲁斯每一个小节一分为二，就像8小节一分为二变成16小节一样，结果就是24小节的形式。 |
| 10. | The rest of part 1 includes sage advice about design patterns for dtds similar to those that should be understood by developers in any technical language
与所有技术语言的开发人员都应该了解的其余小节的内容类似，第一部分的其他内容包括关于dtd设计模式的审慎建议。 |
