| 1. | Chapter 1 every contradiction happened in the play has its root in that society
从文本角度看，戏剧冲突都是社会性的。 |
| 2. | On another level , the dramatic conflict of a comedy is actually quite universal
但实际上喜剧本身的戏剧冲突，其实是全球共通的。 |
| 3. | On another level , the dramatic conflict of a comedy is actually quite universal
但实际上喜剧本身的戏剧冲突，其实是全球共通的。 |
| 4. | All of the people on the ship have something to live for . they aren ' t just going to die to make a dramatic point and emphasis
他们生存的意义是若干不自然的戏剧冲突所远远解释不了的。 |
| 5. | Sylvia plath should satisfy that inte ely dramatic streak ， and john grisham fulfills your need for acce ible ， i tant excitement
西尔维亚-普拉斯的作品能让狮子领略强烈的戏剧冲突，约翰-格里沙姆的作品则能满足狮子对简单直接的兴奋感的要求。 |
| 6. | The implication of dramatic conflicts contains deep life revelation , whereas the conflicts among characters constitute life ' s ambi - polarity
摘要戏剧冲突的内涵在于深刻的人生揭示，而人存在的矛盾冲突构成了人生的双极性，戏剧冲突与人生的双极性存在着同构关系。 |
| 7. | As a result , the play teaching should embody the characteristics of the style of play , highlight the conflicts from the aspect of sociality , which is also the demand of art form of the play
通过文本理解，认识到既然戏剧冲突都是社会性的，戏剧教学就应体现文本特点，突出冲突的社会性，这是戏剧文本本身提出的要求。 |
| 8. | Scene denotes the model of all things that excludes roles in animation films , it is served in animation films , it is the space - time model art to complete drama conflict , to display story circumstances , to depict role personality
场景是指动画电影中除人物角色以外的一切物的造型，它是服务于动画电影的，它是为展现故事情节，完成戏剧冲突，刻画人物性格服务的时空造型艺术。 |
| 9. | Feng ' s adaptation of shakespeare ' s hamlet , the banquet is every inch an epic scaled art film - deeply theatrical , stunningly beautiful , filled with intriguing contradictions , and a surprisingly faithful adaptation of the source material
冯小刚根据莎士比亚戏剧哈姆雷特改编的夜宴是一部彻头彻尾的古装艺术电影- -强烈的舞台化，惊人的美丽，充满了迷人的戏剧冲突，以及对原著改编惊人的忠实度。 |
| 10. | It expresses the view of life and death by conflict in dramas with three points : to eulogize the public view of lofty life and death ; to castigate the view of mean life and death of the exploiting class ; and to make clear dialectical relation between surviving and death
它依靠戏剧冲突所表现的生死观，具体内涵包括三点：讴歌人民大众的崇高生死观，鞭挞剥削阶级的卑劣生死观，昭明生存与死亡的辨证关系。 |
