| 1. | In many other schools, classes deal with the history of film as an art form and with the study of film theory, aesthetics, and criticism .
在其他许多学校，开设了电影艺术史、电影理论、电影美学和电影评论等课程。 |
| 2. | Moving towards the aesthetics of the optimization of life - existence
数字化生存中的电影美学 |
| 3. | Analysis of the aesthetic value in 1930 ' s china left wing film
20世纪30年代中国左翼电影美学分析 |
| 4. | Discussion of the aesthetic differences between film and photography
讨论电影美学与摄影美学的不同处。 |
| 5. | On the deconstruction and innovation of the movie aestheticism by the internet
简论网络对电影美学的解构和更新 |
| 6. | Five differences between the aesthetics style of the fifth generation film and new generation
第五代电影与新生代电影美学风格的五大差异 |
| 7. | The point is not only that the poems allude to chaplin , but that they often derive their own sense of literary aesthetics , paradoxically , from film aesthetics
重点不仅是诗中提到卓别林，还有它们矛盾地从电影美学中得到对文学美学的感知。 |
| 8. | Li ' s cinematic spectacles simulate the visual spirit of chinese landscape painting , which is derived from taoist ideology about space and time
李翰祥导演在黄梅调电影中的电影美学是想模拟中国山水画的精神，而这个精神源自于中国道家对空间与时间的观念及看法。 |
| 9. | This essay applies the auteur approach to analyze the cinematic aesthetics of huangmei opera films of li han hsiang , the most important director of the huangmei opera film genre
本篇文章是采用作者论方法学去分析黄梅调电影类型最重要的导演李翰祥的电影美学。 |
| 10. | To complement our “ director in focus ” retrospective of lee ' s work , prominent hong kong poet ye si will talk about the cinematic and literary aesthetics in lee ' s films
为配合是次导演焦点环节，我们很荣幸请来著名诗人也斯，为我们剖析李沧东的作品，让我们细看李沧东的电影美学和文学性。 |
