| 1. | One key strategy in ishiguro ' s approach is to model robots on real people
石黑浩的关键策略是，根据真人来建构机器人。 |
| 2. | This novel cross - fertilization is what ishiguro describes as android science
这种全新的异体交配法，正是石黑浩口中的仿制人科学。 |
| 3. | From unfamiliarity to misunderstanding to mutual approval - eastern amp; amp; western cultures in ishiguro ' s novels
石黑一雄小说中体现的东西方文化 |
| 4. | To emulate human looks and behavior successfully , ishiguro yokes robotics with cognitive science
为了成功模仿人类的外貌与行为，石黑浩把认知科学融入机器人学。 |
| 5. | To achieve smooth upper - body movement in repliee , ishiguro equipped it with 42 small , quiet air servo - actuators
为了让复制人一号的上半身拥有流畅的动作，石黑浩为它安装42个安静的小型气压伺服致动器。 |
| 6. | The present paper addresses when we were orphans ( 2000 ) , the latest work of the japanese british novelist kazuo ishiguro , from the perspective of postcolonial theories
摘要本文从后殖民理论入手，重点分析日裔英籍作家石黑一雄的小说《上海孤儿》 。 |
| 7. | This is the latest novel from celebrated author and booker prize winner kazuo ishiguro , set in a grim , alternate version of contemporary england
这是著名作家兼“布克奖”获得者石黑一雄推出的最新小说，以一个变换了原貌、冷酷可怖的当代英格兰为背景。 |
| 8. | With tokyo - based robotics maker kokoro company , ishiguro built repliee also by “ copying ” a real person ? nhk tv newscaster ayako fujii ? with shape - memory silicone rubber and plaster molds
石黑浩与日本东京的机器人制造商可可洛公司合作复制了真人nhk电视新闻主播藤雅子，以形状记忆矽胶与石膏模型建造了复制人一号。 |
| 9. | It explores ishiguro ' s open - minded historical views and distinctive literary arts through a probe into his setting of the characters in the novel , his use of metaphors , and his deconstruction of the euro - centralism , thereby revealing people ' s loneliness and misery in the colonial age and the fall of euro - centralism
文章从人物的身份设定、隐喻的运用及对欧洲中心主义的解构三个方面，展示了石黑一雄开阔的历史胸怀和独特的艺术技巧，反映了殖民时代的孤独与痛苦及欧洲中心主义逐渐瓦解的真实面貌。 |
