| 1. | But what are the chances that the actual chandelier that served as van eyck ' s model was radically asymmetric
但，范艾克画中那盏真实的吊灯非常不对称的机会又是多少呢？ |
| 2. | It is unlikely that van eyck , working closely on an important commission , would not have noticed such an offset
认真制作这幅重要委?画的范艾克，不太可能没注意到这样的位移。 |
| 3. | Other evidence throws doubts on the suggestion that van eyck painted the arnolfini portrait under a projection onto the oak panel
对于范艾克利用橡木板上的投影画阿诺菲尼肖像的说法，还有其他的证据也提出质疑。 |
| 4. | Van eyck ' s portrait of giovanni arnolfini and his wife ( 1434 ) ? one of the earliest masterpieces in the northern renaissance ? is a key exhibit in hockney ' s theory
范艾克的阿诺菲尼的婚礼（ 1434 ，北欧文艺复兴最早的杰作之一）在霍克尼的理论中居关键地位。 |
| 5. | If van eyck bumped the setup halfway through his work , he surely would have seen the mismatch between the shifted projected image and his tracing lines already committed to the support
如果范艾克工作到一半时碰到他的装置，应该会看到位移的投影与他先前的描线不符合。 |
| 6. | Most scholars believe that the arms of brass and copper alloy european metalwork were cast whole from a single mold in van eyck ' s time ; crockets were not soldered or riveted onto the main arms
多数学者相信，在范艾克的时代，欧洲的黄铜或其他铜合金的金属工艺中，整只吊灯臂是从一个模子里铸出来的；而且上面的雕饰并不是焊接或铆接到灯臂主体上。 |
| 7. | Hockney and falco explain this shift as follows : van eyck traced part of the image projected in an epidiascope , then accidentally bumped the silverpoint , the oil or the mirror , and finally traced the remaining , now shifted , image
霍克尼与法柯对此位移的解释如下：范艾克用幻灯机描了部份的影像后，不小心碰到银尖笔、油画、或者镜子，然后继续描完剩下已经位移的影像。 |
| 8. | The laws of geometric perspective guarantee that in a concave - mirror projection of a symmetric chandelier onto van eyck ' s support all parallel lines would meet at a vanishing point , just as the image of train track rails meet on the horizon in a photograph
几何透视定理保证，形状对称工整的吊灯经过凹面镜投射到范艾克的屏台时，所有平行线会在消逝点上交会，就好像照片上的火车铁轨会在地平线上交会。 |
| 9. | Such a mirror - based camera obscura is simple by today ' s standards , but at the time of van eyck it would have represented the most sophisticated optical system on the planet , requiring greater precision in the shape and arrangement of the mirror and more stringent requirements for illumination than any known system
以今天的标准来看，这种配备镜子的暗箱并不难做，但若在范艾克的时代，却会是全世界最尖端的光学系统，镜子的形状与配置所需的精确性，比当时所知的任何设备还要高，而照明上也有更严格的要求。 |
