The image here is spoken of as virtual just as is the familiar image generated by a plane mirror . 这时的像叫做虚像，正如由平面镜所生成的熟知的像一样。
2.
So - called choices are just illusions which have never existed 所谓的选择只是个未曾存在的虚像
3.
From this point of view , the expansion of the sino - japanese trade has also reflected a virtual image in certain degree 从这个意义上看，中日贸易的扩张又反映了某种程度的"虚像" 。
4.
Under the principle , baudrillard proposes the key concepts of simulation and simulacra by the analysis of the phenomena of modern technology 在这一原则下，鲍德里亚通过对现代技术的分析，提出“仿真”和“虚像”等核心范畴。
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Unlike concave mirrors , the convex kind produces right - side - up virtual images , smaller than the original object , which cannot be projected onto a canvas 与凹面镜相反，凸面镜呈现的虚像不会颠倒，影像比原来的物体要小，且无法投射到画布上。
6.
Simulation and simulacrum is the two basic concepts that describes and reveals the essence and the characteristics of baudrillard ' s philosophy of technology , such as the side effects and irreversibility of technology in modern society 他从技术仿真和虚像的角度，对技术哲学的深层次的问题进行了反思：如关于现代技术的副作用，技术发明和发展的不可逆性等技术哲学的思想。
7.
The author first introduces several problems that interlaced video suffers from : the basic vertical resolution is inadequate for displaying filmlike quality , and interlaced video generates visual artifacts , including edge flicker , shimmering , and diagonal jaggedness . then the author reviews some representative de - interlacing algorithm that has been proposed 论文首先介绍了隔行电视存在的若干个缺陷：对于显示类似于电影质量的图像而言，隔行电视的基本垂直分辨率是不够的；隔行电视还会产生许多视觉虚像，例如边沿闪烁、爬行和锯齿等，接着简单回顾了学术界已经提出的经典的去隔行技术。
8.
The parties define the right ' s nature and it ' s belonging to by public notice as well . the fundamental function of the principle of public trust lies in protecting the dynamic safety of transaction . meanwhile , the principle of public trust forces the genuine owner to eliminate the false appearance of the right actively 公信原则的基本功能则在于保护动态交易安全，使连续发生的交易活动不致因原权利人主张权利而毁于一旦；另一方面，公信原则又促使真正权利人积极消除权利虚像，以防止因公信力而失去权利。
9.
This ambiguity in turn gives the image multiple meanings . what we know and the truth are in conflict with each other . the image that develops through the photographic process is the punctum where we depart from the knowledge we gained from experience to interpret what we feel and see by means of intuition 影像的魅力正就是尽在不言中，而影像的暧昧性，使影像呈现出多重的意义，认知和真理（本体）常常充满矛盾，摄影在过程之间所呈现的虚像，正正是我们从经验的认知层面，用直觉的方式去注释我们所感觉（视觉）的刺点。
