Testing of paper ; tear growth test according to brecht - imset 纸的检验.按照brecht - imxet法作裂口扩展试验
2.
Was ist die bedeutung des " sehens " in brechts leben des galilei “看清”在布莱希特的《伽利略传》中是什么意思？
3.
Brecht ' s theories of comedy and of epic theater : what are his expectations , and how plausible are they ( do his effects actually work , in your experience of the play 布莱希特的喜剧理论及史诗剧场理论:他的期望及其似是而非之处(他真的影响了你对本剧的体会吗
4.
Brecht ' s theories of comedy and of epic theater : what are his expectations , and how plausible are they ( do his effects actually work , in your experience of the play 布莱希特对喜剧及史诗剧场的理论：他的期望及其似是而非之处(他是否真的影响了你对本剧的体会吗？
5.
Brecht said foreign languages are spoken well by only an estimated 11 percent of americans , the rough equivalent of the u . s . census bureau ' s estimate of the nation ' s foreign - born population 布瑞契表示，仅有约11 %的美国人有流利的外语能力，这个数字大约与美国人口统计局所估计在国外出生的美国人口数相当。
6.
Although skakespeare drew from seneca , and brecht from shakespeare , even more immediate was the influence of griffith on ford or ford on bergman or bergman on allen 虽然莎士比亚是受西涅卡的影响，布莱希特是受莎士比亚的影响，然而格里菲斯对福特的影响，福特对伯格曼的影响，伯格曼对伍迪阿仑的影响要更为直接。
7.
" there have been three points in history where we have had a renaissance in language education , " observed richard brecht , director of the national foreign language center , a non - profit language policy organization in washington 位于华盛顿的非营利性语言政策组织“国家外语中心”所长布瑞契观察后说： “历史上有三段语言教育复兴期。 ”
8.
From 1950s to 1980s , the conception of directing in chinese plays had shifted from learning from stanislavsky to learning from brecht , making possible the particular positions of jiao juyin and huang zuolin in the history of directing in chinese drama 摘要从20世纪50年代到80年代，中国话剧导演理念经历了一个从取法斯坦尼斯拉夫斯基到取法布莱希特的过程，而其中分别成就了焦菊隐和黄佐临在中国当代导演艺术史上的特殊地位。
9.
In christopher marlowe ' s play , the jew of malta , barabas ' marginal identity , his comments on other characters and dramatic events , the sharp contrasts between sage words and mean deeds , and the questions for spectators in the asides and monologues , together created an alienation effect , which is quite similar to the v - effect that the german playwright bertolt brecht advocates 在克里斯托弗.马洛的剧作《马耳他岛的犹太人》中,犹太人巴诺巴斯的局外人与评论者地位、剧中人富含哲理性的辩白与卑劣行为所造成的强烈反差,以及旁白与独白中直接对观众而发的问题等手法,与德国戏剧家贝托尔特.布莱希特所倡导的间离手法极其相似,客观上制造了陌生化即间离的效果。
