Chinoiserie moved by the turn of the 18th century from the domestic interiors to the exterior ? to chinese gardens , pagodas 宝塔 and eventually a royal palace “中国式装饰风格”在18世纪与19世纪之交扩展了它的影响，这种风格从室内家居装饰向室外建筑转移，转向中国式花园、宝塔，最终进入王室宫殿。
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Designer wang - chen tsai - hsia has taken the theme of chinoiserie and imbued it with populist elements , and while her store has a richly chinese character , there is nothing old - fashioned about its contents 设计师王陈彩霞将中国风发扬光大，并注入流行元素，夏姿的服饰虽然具有浓厚的中国风，却不过时老气。
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Through appraising every chapter in west winding of chinoiserie in architecture no . 26th monograph in research library of chinese architectural culture , this article has the particular analysis on this monograph and puts forwards the own opinion and suggestion on basis of the anaysis 摘要该文通过对“中国建筑文化研究文库”第26号专著《中国建筑文化之西渐》书稿各章节的评价，对该著进行了较为细致的分析，在此基础上，提出了自己的见解和建议。
