New cultural interpretation of dionysus and apollo 酒神与日神的文化新解
2.
Apollo and dionysus : nietzsche ' s dualistic theory of artistic impulse 尼采的二元艺术冲动学说
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Here we see a mask of the god dionysus and clothing attached to a pole , much in the manner of a scarecrow 这里我们看到一个戴奥尼索斯的面具及衣服附在竿子上，像是稻草人的方式。
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The idol was actually a wooden shaft with a mask attached , garlanded with ivy - perhaps the most common way of depicting dionysus in the greek world 神像实际上是一个以面具附上的木轴，戴著长春腾花环，这或许是在希腊世界中最普遍的描述戴奥尼索斯的方法。
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According to nietzsche ' s tragic theory , this thesis analyzes the conflict between the spirit of apollo and dionysus of lavinia , exploring the process of forming tragedy 本文借助于尼采的悲剧理论，从莱维尼娅身上所体现出的日神精神与酒神精神的冲突，来阐明她悲剧产生的过程，从而分析这一悲剧人物的典型意义。
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Anthropological approach on ritual pattern , the relation between culture and natural ecology , dionysus " pedigree and genealogy , the aesthetical principle of dionysus pattern and the narrative on literary arche - types from dionysus 它可以说明：在“西方文学”的“我者叙事”当中事实上存着许多东方文化的“他者叙事” 。
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Greek apollo culture and dionysus culture has respectively endowed the individual life and the eternal life with justification , and tragedy culture simultaneously has given the worldly life and the metaphysical life the dual defence 希腊日神文化和酒神文化分别赋予了个体生活和永恒生活以正当性，而悲剧文化则同时给予尘世生活和形而上生活双重的辩护。
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The major focus of my doctoral thesis is put on the western canon " dionysus ritual " and its original meanings covered drama , arts , poem , religion , magic and so on with the literary anthropological perspective 本文选择文学人类学这一个新的研究领域，以西方经典性的“酒神祭仪”命题为切入点，特别选择了被称之为“传统的贮存器” ( container )的仪式为主要阐发。
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As we know , the ritual is often taken as " the traditional container " , which means ritual has a very special capable to contain the ethnic , historical and traditional interpretative ability for itself as well as multicultural , multiethnic exchange events and " facts " . in this case , dionysus pattern is a typical example , many aspects showed that there existed a very complicated relations among the arche - type : the origin of the western tragedy , the exhibition of relation between man , nature and culture , the expression of literary themes etc . main purpose of this research will be concentrated on the combination of the dionysus ritual pattern and analyses relative eastern factors including historical texts , the drama literature using the method of literary anthropology 作为一个经典范例，酒神祭耙仪式被视为一种跨民族、跨区域、多元文明的遗产：西方戏剧起源的滥肮哲学美学类型上的二元对峙关系的基本要件：西方文学叙事中不可或缺的原型；更重要的是，它是人类生命体验的“自然之性”的展示… …本文通过对酒神的个案的人类学资料，同时结合狄奥尼索斯祭祝仪、戏剧文学以及相关的历史文本分析，旨在对比较文学中“西方中心”的历史逻辑进行梳理和反思。
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And he renewed the flame of his lance with a gesture which made one think of dionysus of crete . but i , being only a little child , was terrified by this undaunted courage , which appeared to me both ferocious and senseless , and i recoiled with horror from the idea of the frightful death amidst fire and flames which probably awaited us 于是他便挥动他的长枪，使枪上的火绳燃得更炽烈，他那副神情简直就象是古希腊的酒神达俄尼苏斯。可我，在那时只是个小孩子，却被这种大无畏的勇气吓坏了，我觉得那种样子又凶又蠢，我恐惧地倒退了几步，想躲开空中和火光中游荡着的可怕的死神。
