| 1. | This film is absolutely not suitable for people who lack patience . back to the story itself , the love affair between junsei and aoi is always oscillating
话需如此，笔者颇为喜欢此片的意念，即是以收复士的职业为主题。 |
| 2. | One interesting take is the parellel of junsei s profession and his love . he is good at restoring paintings but bad in restoring a deteriorated love relationship
话需如此，笔者颇为喜欢此片的意念，即是以收复士的职业为主题。 |
| 3. | One interesting take is the parellel of junsei s profession and his love . he is good at restoring paintings but bad in restoring a deteriorated love relationship
话需如此，笔者颇为喜欢此片的意念，即是以收复士的职业为主题。 |
| 4. | It is a genuine account of a dynamic relationship . the director understands that he is not shooting a fairy tale , the story will end up dry and insipid if the relationship is always stable . one interesting take is the parellel of junsei s profession and his love
这不是热门的行业，对于观众来说是富新鲜感的，再者，这个行业和此片的爱情主题相呼应，男主角精于收复名画，却拙于收复错失破碎了的爱情，这是十分讽刺的比喻。 |
| 5. | The blue setting intensifies the depressed atmosphere of the story a lot . yutaka takenouchi and kelly lin look perfectly glamorous in the film , their good commands of languages italian , japanese and english make their roles convincing . however , to me , what is most unforgettable is not the love affair between junsei and aoi , but the teacher lover relationship between junsei and his italian teacher
陈慧琳一向给人感觉是不懂演戏，演过的港片基本上并无任何佳作，今次和以往相比，演技上不乏进步，但是整体上和成功仍差很远，只是全片以英语和日语为主要语言之下，她还能掌握拖当，表现算是合格。 |
| 6. | Yutaka takenouchi and kelly lin look perfectly glamorous in the film , their good commands of languages italian , japanese and english make their roles convincing . however , to me , what is most unforgettable is not the love affair between junsei and aoi , but the teacher lover relationship between junsei and his italian teacher . conflict makes good drama
片中讲述竹野内丰和陈慧琳的回忆时不乏趣味，惜欠缺难忘场面，反而竹野内丰和意大利裔女导师的一段情叫人难忘，这是此片另一具讽刺效果的地方，但看来这不是拍摄者所预期之内 |
| 7. | Yutaka takenouchi and kelly lin look perfectly glamorous in the film , their good commands of languages ( italian , japanese and english ) make their roles convincing . however , to me , what is most unforgettable is not the love affair between junsei and aoi , but the teacherlover relationship between junsei and his italian teacher . conflict makes good drama
片中讲述竹野内丰和陈慧琳的回忆时不乏趣味，惜欠缺难忘场面，反而竹野内丰和意大利裔女导师的一段情叫人难忘，这是此片另一具讽刺效果的地方，但看来这不是拍摄者所预期之内 |
| 8. | Junsei does not know if aoi still loves him or not , aoi is also uncertain if she should accept junsei again . it is a genuine account of a dynamic relationship . the director understands that he is not shooting a fairy tale , the story will end up dry and insipid if the relationship is always stable
此片最突出不是故事，事实上，这种男女离离合合的爱情故事在不少电影都出现过无数次，新鲜感实在不大，而且此片节奏颇慢，男女主角的关系拖拖拉拉，原本只需要三数分钟就能解决的问题，往往能拖到廿三十分钟，主角人物的不决断令人看得不耐烦。 |
| 9. | A three minute decision can be prolonged to a thirty minutes deliberation . junsei often fails to express his feeling toward the one he loves . for instance , he never communicates with his father properly , he does not understand what he thinks at all
此片最突出不是故事，事实上，这种男女离离合合的爱情故事在不少电影都出现过无数次，新鲜感实在不大，而且此片节奏颇慢，男女主角的关系拖拖拉拉，原本只需要三数分钟就能解决的问题，往往能拖到廿三十分钟，主角人物的不决断令人看得不耐烦。 |
| 10. | Junsei does not know if aoi still loves him or not , aoi is also uncertain if she should accept junsei again . it is a genuine account of a dynamic relationship . the director understands that he is not shooting a fairy tale , the story will end up dry and insipid if the relationship is always stable
此片最突出不是故事，事实上，这种男女离离合合的爱情故事在不少电影都出现过无数次，新鲜感实在不大，而且此片节奏颇慢，男女主角的关系拖拖拉拉，原本只需要三数分钟就能解决的问题，往往能拖到廿三十分钟，主角人物的不决断令人看得不耐烦。 |
