On rilke ' s artistic characteristics in poems 里尔克的诗歌艺术特色
2.
Feng zhi and r . m . rilke 冯至与里尔克
3.
- we ' re all at a bit of a loss as to - whenever i ' m at a loss , i dip into rilke -我们都感到有些失落因为-当我感到失落的时候我就读里尔科的书
4.
We ' re all at a bit of a loss as to - - whenever i ' m at a loss , i dip into rilke -我们都感到有些失落因为- -当我感到失落的时候我就读里尔科的书
5.
We ' re all at a bit of a loss as to - - - whenever i ' m at a loss , i dip into rilke 我们都感到有些失落因为- - -当我感到失落的时候我就读里尔科的书
6.
Paul de man , allegories of reading : figural language in rousseau , nietzsche , rilke , and proust ( new haven : yale university press , 1979 ) 塞尔登: 《文学批评理论- -从柏拉图到现在》 ,刘象愚等译(北京大学出版社, 2000 )
7.
Whoever has no house now will establish none , whoever lives alone now will live on long alone . will waken , read , and write long letters , wander up and down the barren paths . the parks expose when the leaves are blown . < autumn day > by rainer marie rilke 谁此时没有房子,就不必建造;谁此时孤独,就永远孤独.就醒来,读书,写长长的信.在林荫路上不停地徘徊.落叶纷飞. <秋日>里克尔
8.
The diverse dances and acrobatic movements on stage not only stimulate the senses and redefine theatre space but also help us rediscover rilke , zhuangzi , beckett , poetry , theatre and the relationship between eastern and western philosophy . through these fragments of reality we can once again define our roles in life 舞台上种种形体动作的反覆和变调，刺激观众反思，开启了领悟空间变化的大门，令人重新发现诗人里尔克、庄子、贝克特、诗、剧场，以至东西方哲学的关系，在支离破碎的现实生活中寻回安身立命的位置。
