Research on gender , social gender and traditional opera actors ' gender 社会性别与优伶性别研究
2.
On awareness of 元代文人优伶意识论
3.
But such man wind relation have serious identity difference , the difference make actor lead to a tragic role until person excellent and crossing often 然而这种男风关系中存在着严重的身份差异，这种差异往往使优伶在士优相交中通向一个悲剧的角色。
4.
Actor man wind is it dissipate to begin in latter stage of qing dynasty , but historiography circle unwilling to dilate and neglect the problem not going still even to this day , only the origin cause of formation of the man wind and the actor ? s tragic role carry on the preliminary discussion to the actor in this text 优伶男风在清末开始消散，但时至今日依然是史学界不愿详谈却忽略不去的问题，本文仅对优伶男风的成因以及优伶的悲剧角色进行初步的探讨。
5.
Actor man wind is it dissipate to begin in latter stage of qing dynasty , but historiography circle unwilling to dilate and neglect the problem not going still even to this day , only the origin cause of formation of the man wind and the actor & acute ; s tragic role carry on the preliminary discussion to the actor in this text 优伶男风在清末开始消散，但时至今日依然是史学界不愿详谈却忽略不去的问题，本文仅对优伶男风的成因以及优伶的悲剧角色进行初步的探讨。
6.
A strange thing , that that part of an orator , which is but superficial , and rather the virtue of a player , should be placed so high , above those other noble parts , of invention , elocution , and the rest : nay almost alone , as if it were all in all 表情在一位演说家所有的才能中不过是表面的一种，并且是属于优伶的一种长处，然而竟会被抬得这样高，超出那些其他的长技，如独创，口齿清晰等等；不特此也，简直好象这一种表面的才能是唯一无二的，是一切底一切似的，这真是怪事了。
