| 1. | The figure in the script design of chinese character means
汉字字体设计中的图形意味 |
| 2. | Gets the height , in font design units , of the em square for the specified style
获取指定样式的em方形的高度，采用字体设计单位。 |
| 3. | This will help make your web site stand out from your competitors and enhance your design capabilities
字体设计可以增加网站竞争力，也可以提高你的设计能力。 |
| 4. | Personality and the size of the combined product design , product quality reflects the unique character of excellence
结合产品本身的个性的字体设计，体现产品品质的卓越和独特个性！ |
| 5. | Such problems could be circumvented , but required a bit more knowledge of customizing emacs than the average font designer was likely to display
这些问题都可以解决，但对定制的emacs ，需要具备比一般字体设计人员更多的了解。 |
| 6. | Have you ever tried to design your web site with a beautifully selected font , only to realize that most folks don ' t have it installed on their computer
有没有出现过这种情况：利用漂亮字体设计网站，却发现大多数用户的电脑中并没有安装这种字体。 |
| 7. | Very beauty international salon brand image uses an exquisite woman head picture to add on the fragrant flower petal to manifest , the typeface design unique and also is capable
慧雅俪国际美容会所的品牌形象采用一个优美的女人头像加上芬芳的花瓣来体现，字体设计独特而又干练。 |
| 8. | Without automatic scaling , an application designed for one display resolution or font will either appear too small or too large when that resolution or font is changed
在没有使用自动缩放的情况下，当改变显示分辨率或字体时，为该分辨率或字体设计的应用程序不是显得太大，就是显得太小。 |
| 9. | In addition , fonts using unicode mappings were hard to come by , and font designers working on unix and linux systems faced a difficult task testing fonts on uncooperative vim implementations or pre - unicode emacs
此外，不容易得到使用unicode映射的字体，在unix和linux系统上工作的字体设计人员面临的是在不合作的vim实现或者无unicode的emacs中测试字体的困难任务。 |
| 10. | Through organizing its social background and lettering evolution , this research focuses on the gothic textura , which was commonly used in european late medieval manuscripts , to establish the sequence of idea for analyzing the typeface style , and become the reference for criticizing the original concept in the very beginning of printing lettering as well
摘要本文以中世纪后期西欧手抄书籍所通行之哥德字体为研究主题，目的是透过其发展之社会背景与字形风格演化之整理，以期建立后续探讨活字印刷字体设计的因果脉络，并作为推论印刷初期字体使用概念之参考依据。 |
