| 1. | The style evolution of chinese traditional gongbi drawing
中国工笔画的风格演变 |
| 2. | The spirit in chinese fine painting and its expression
工笔画的写意性及其表现 |
| 3. | On the color features of fine brushwork and its modern development
论传统工笔画色彩的特性及其现代发展 |
| 4. | Penetrating point in clothing art teaching - on the line implication of fine brushwork
谈工笔画的线韵意味表现 |
| 5. | Analysis on visual elements of freehand brushwork in chinese traditional painting
对中国工笔画视觉元素写意性的理解 |
| 6. | Thoughts on the visual differences between paintings of fine brushwork and freehand brushwork
工笔画与写意画视觉差异的感悟 |
| 7. | Prior to the rise of the song and yuan dynasty , free style painting , fine brush painting is the main presentation technique of the traditional chinese paintings
摘要在宋元文人写意画勃兴前，工笔画是中国传统绘画的主要表现形态。 |
| 8. | Attributing to the influences of the traditional chinese aesthetics and painting theories , the traditional fine brush painting also reflects characteristics of free style paintings
受传统美学、绘画理论的影响，传统工笔画也具有写意性的特征。 |
| 9. | Though it was the last day of the artfair , it had tremendous works and peoples there . there were jade , china , pottery , sculpture , paitings , drawings , writtings etc
尽管是最后一天,但依然展品群集,人群拥挤.展会上有玉器瓷器陶器石雕珠宝泥塑木塑剪纸蜡染手工艺品油画工笔画书法等各方面的作品 |
| 10. | This article think the boorish picture and the tradition chinese realistic painting should insistent regionally culture features and hold the special taste standards when they respond to in the tradition inheriting and use for reference each other
摘要农民画和工笔画创作应在继承传统、相互借鉴的同时，保持各自鲜明的个性，积极的地域性文化特征和独特的审美标准。 |
