| 1. | The style a always there before and after " new stories " had been published
它在《故事新编》问世前后都一直存在。 |
| 2. | " new stories " is the product of profound influence exerted by expressionism upon lu xuan
摘要《故事新编》是鲁迅受到表现主义深刻影响之下的产物。 |
| 3. | The distinctive tendency of expressionistic style in " new stories " becomes the special emblem of lu xun ' s late stories
《故事新编》鲜明的表现主义风格倾向，成了鲁迅后期小说的独特徽记。 |
| 4. | Though lu xun created " new stories " , new - story style did exist as a style in the 20th century chinese literature
摘要《故事新编》是鲁迅创作的小说集，但“故事新编体”小说却是中国20世纪文学中的一种文体存在。 |
| 5. | Considering the stylistic characters of " new stories " , we can find the consistency between new stories and stories of new - story style
从《故事新编》的文体特点来看，它实际上是与“故事新编体”小说一脉相承的。 |
| 6. | De - familiarization has been used in the old tales retold . it displays for plot - arrangement , perspective transformation , replace name , discourse - mixed and overthrow the archetype
摘要在对“故事”进行“新编”的过程中， 《故事新编》运用了多种“陌生化”手法，它具体表现为情节编排、视角变换、 “换招牌” 、话语杂糅和颠覆原型等。 |
| 7. | Re - reading lu xun ' s new redaction from old stories from such a perspective , one can enter the spiritual space full of cognitive value , which is composed of lu xun ' s special life consciousness , historical consciousness , cultural consciousness and philosophical consciousness
以对鲁迅《故事新编》的解读为例，就由此进入了一个由鲁迅独特的生命意识、历史意识、文化意识与哲学意识所组成的，具有巨大认识价值和警示意义的精神世界。 |
| 8. | The high subjectivity of history and extended use of expressionistic narrative techniques enables the book to be infiltrated with strong sense of subjective expression , and in the same time embodies the condemnation of the unhealthy tendencies and realistic stance of civilized criticism
对待历史的高度主观化和广泛运用表现主义的叙事技巧，使《故事新编》渗透著强烈的主观表现意味，也寄寓著鲁迅针砭时弊，坚持文明批判的现实立场。 |
