A case study of nationalism and the awakening of the modern chinese nation 从近代民族主义思潮解读民族形式建筑
2.
The beginning of entanglement of literature arts and ideology the debate on the issue of national form " and hu feng event " . wang li li 文艺与意识形态交错纠缠的开始民族形式问题论争与胡风事件王丽丽
3.
The modernity of traditional chinese painting lies not in westernization , nor in the blending of the chinese with the western , but in the national from that represents national culture and spirit expressed in localized regional ethnical style 摘要对中国画的现代性进行了初步探讨，认为中国画的现代性方式不在于纯粹“西化型” ，也不在于“中西融合型” ，而在于体现民族文化精神的民族形式，在于通过地域民族化的本土方式。
4.
This revival of nationalist research attracted people ' s attention to chinese paintings , resulting from which were the rebirth of literati paintings and the establishment of research institutions and organizations of national paintings , fostering an overwhelming academic research in such fields as chinese native culture , nationality , national spirit , the nature of traditional paintings , the comparison between chinese and western paintings , and national forms 这股复兴思潮促使国画再度受人关注，文人画重新崛起，国画研究机构与组织大量出现，对中国本位文化、民族性、民族精神、传统绘画本质特性、中西比较、民族形式诸问题的学术探讨蔚然成风。
5.
This article discusses the exploring course of the national style of chinese architecture in the time of the chinese modern architectural history ( 1840 ~ 1949 ) from three fields , which are the unconscious exploration originating from popular architecture , the western architect ' s exploration in christian university architecture , and the chinese architect ' s exploration in 1927 ~ 1937 摘要从三个领域整体研究中国近代建筑史时期( 1840 ~ 1949 )民族形式建筑的探索历程：源自民间的无意识探索、西方建筑师在教会大学校舍建筑领域的探索，以及中国近代建筑史发展兴盛期的后期( 1927 ~ 1937 )第一代中国建筑师的探索。
