| 1. | Reflection on cultural value of folk kiln system in jingdezhen
景德镇民窑制度文化的价值思考 |
| 2. | In official and civilian kilns , underglaze blue porcelain was the dominant form of porcelain production
无论是官窑或民窑，青花瓷器都是当时瓷器生产的主流。 |
| 3. | In official and civilian kilns , underglaze blue porcelain was the dominant form of porcelain production
无论是官窑或民窑，青花瓷器都是当时瓷器生产的主流。 |
| 4. | Jizhou kiln area south of the yangtze river is a comprehensive kilns installment , which produces products of strong local flavor and color art
摘要吉州窑是江南地区一座名闻遐迩的综合性民窑，产品具有浓厚的地方特色和民族艺术色彩。 |
| 5. | Porcelain wares with out reign - marks were from civilian kilns . most chinese reign marks indicate that the wares were made in official kilns . but there are imitations
瓷器上没有年款的是民窑，有年款的一般是宫窑，也有年款是仿造的，不是宫窑。 |
| 6. | B ： porcelain wares with out reign - marks were from civilian kilns . most chinese reign marks indicate that the wares were made in official kilns . but there are imitations
瓷器上没有年款的是民窑，有年款的一般是宫窑，也有年款是仿造的，不是宫窑。 |
| 7. | Compared with folk porcelain wares , the imperial wares were technologically excelsior , regardless of the cost , and most of them are treasures with a high quality but a low quantity , which has reflected the highest level of porcelain manufacture at that time
和民窑器相比，官窑器在工艺上精益求精，不惜成本，多为传世珍品，量少而质高，反映了当时的制瓷最高水准。 |
| 8. | Since then , certain ornamentation techniques previously reserved for the exclusive use of the official kilns could be applied by the civilian kilns . on the other hand , themes on folk stories and children at play could be found on the official kiln wares
嘉靖开始实行官搭民烧制，打破纹饰上的官方规定，官窑专用纹饰开始为民窑所用，而民间的人物故事婴戏图等纹饰也出现官窑器上。 |
| 9. | Since then , certain ornamentation techniques previously reserved for the exclusive use of the official kilns could be applied by the civilian kilns . on the other hand , themes on folk stories and children at play could be found on the official kiln wares
嘉靖开始实行官搭民烧制，打破纹饰上的官方规定，官窑专用纹饰开始为民窑所用，而民间的人物故事、婴戏图等纹饰也出现官窑器上。 |
