The second stage was the preparation and the use of wenzi to make paintings . huang yao specifically collected a large number of pictographs for things in the chinese grouping of " sky , on earth and human parts " 黄尧深入研究文字学，并且透过文言古籍与古文字学的关系，体悟上古人类生活史，奠定驾驭甲骨文钟鼎文等古文字的能力及深湛的创作基石。
2.
He also did extensive research on chinese etymological studies and experimented with the use of different forms of chinese calligraphy such as jiagu wen , zhongding wen , and zhuan shu , and the transformation of tuhua wenzi to wenzi hua . much of his work drew from cultural and literati sources e . g 他也对中国语源的研究有着深广的研究，同时在实践上，他使用了甲骨文，钟鼎文和篆书等各种不同的形式的中国文字表现来实验，把这些图画文字转换成为文字画。
3.
Ox , and visiting the museum to view actual shang dynasty oxen carriage , 1 see that the inscriptions are both tuhua wenzi , and when they come together , they become what cang ji termed zi " character " . this coming - together can form a beautiful picture , a beauty that is comparable to the pictographs of the shang and zhou dynasty bell - and - gong script . there was a time when many tuhua wenzl were formed , and they combined with single radical wen to form whole , complete pictographs 譬如车字牛字，再到博物院去参看商做生意的商人之名，来自商代卖货到东海去换贝回来而来的人的牛车，其车与牛，完全是象形的图画，合在一起，即仓颉的字，这是设想的构想的，可以成为一幅很美的画，与商周铜器钟鼎文的图画不相上下，曾经不断的做，积了很多，又把单文单字结联起来，成了整幅的图画，非常有趣。
