We probably shouldn ' t have shot it in black - and - white 我们或许不应该拍成黑白片
2.
The film was shot in black and white 这部电影拍成了黑白片。
3.
The japanese - style houses , the faint echo of nagashi singing , the memory of the good - time girls who flocked here in days past 日式的房舍，依稀在耳的那卡西演唱，莺莺燕燕的沧桑风月，让时光快门似乎在此打住，有一股老黑白片的情调。
4.
The film was beautifully crafted , having been shot in black and white , yet highly perturbing in the way a comical situation gradually transformed itself into a barbaric climax , ending with a final , unsettling shot that none will easily forget 这部影片在采用黑白片摄制，镜头、光线等技巧都运用得极好的同时，从充满了令人不安而又令人捧腹的喜剧效果情节逐渐将观众带入了那野蛮、凶残令人感到既悲哀且悲壮的高潮，特别是电影的结束部分令观众久久不能释怀。
5.
Friends and colleagues including jackson browne , bruce springsteen , bonnie raitt , elvis costello , and tom waits joined orbison at los angeles s coconut grove in order to collaborate with and pay tribute to this irreplaceable rock and roll talent . songs performed include many of the classic songs of romance that made him famous - from " oh , pretty woman " to the tragic ballad " crying . " shot in black and white , this performance looks as beautiful as it sounds , featuring at any one time a killer all - star band onstage , clearly loving every minute of playing with roy , who of course outshines them all 你千祈不要小看这套七十年代拍摄的纪录片， dvd版本在99推出之后，一直成为影音展览中厂家经常播放的热门影碟，原因很简单，它虽是黑白片，但却拍得极具气氛，将怨曲歌王roy orbison在一间会所的热情演出如实纪录下来，演出歌曲包括首本作“ oh , pretty women ”多数人用此曲示范和“ only the lonely ”等。
6.
A sumptuously wrought biographical account of the tragic life of legendary actress ruan ling - yu 1910 - 1935 , the combination of documentary footage , gorgeous period recreations and juxtapositions between past and present creates a mysterious , alluring portrait of the enigma surrounding ruan s suicide . maggie cheung s performance here , crowned best actress at the berlin film festival , marks the beginning of her ascent to the world s stage 故事由五段时空构成，首先是张曼玉演绎的阮玲玉，在殒命前五年间水银灯下和三个男人周旋的感情波折，但穿插大量黑白片段，包括导演与演员谈剧本，在生老影人的访问，阮玲玉原作的片段，以及关锦鹏现场的拍摄。
7.
The vast , spacious living rooms and the stylised decors in his melodramas , the costumes and sets that defied the constraints of time and history in his swordsman films , not to mention the omnipresent red maple leaves quivering leaves on bare branches in the black and white era and the setting sun in the horizon , all are part and parcel of a meticulously imagined world 文艺片里那些空阔得惊人的客厅风格化的室内装潢武侠片里那些无法识别年代的服装与陈设，当然还有无处不在的红枫叶黑白片年代则是与树枝若即若离的枯叶和悬在天脚底的夕阳，都是苦心经营出来的世界。
8.
As i remember , we seldom watched black and white films , instead preferring to be awed by the larger - than - life shaw scope productions , and the sensuous delight , grandeur and glamour didn t puff away with the light , but was carefully taken home to be relived again and again in the lazy afternoons , until the next treat . back in those days , the day southern screen 印象中很少看黑白片，大概当时大家更喜欢那综艺体彩色阔银幕的bigger than life感觉，看完了把银幕上的千娇百媚花团锦簇金雕玉砌，都一并打包带回家去，在一个又一个悠长的下午慢慢消耗，等待下一次的盛宴。
