She was remembered by Cyrille Koupernik as "that Norwegian madwoman". Cyrille Koupernik se souvient d'elle comme de la « folle norvégienne ».
2.
1949 : Leora Dana – as Irma in The Madwoman of Chaillot. 1949 : Leora Dana pour le rôle d'Irma dans The Madwoman of Chaillot.
3.
Sandra M. Gilbert and Susan Gubar, The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination (Yale University Press, 2nd ed. Sandra M. Gilbert et Susan Gubar, The Madwoman in the Attic : The Woman Writer and the Nineteenth Century Imagination, New Haven, Yale University Press, 1979.
4.
(English: "The feigned madwoman Licori") Strozzi was a Venetian, born in 1583, whose literary works included plays and poetry as well as opera libretti; Monteverdi had first met him in 1621. (La Fausse Folle Licori) Strozzi est un Vénitien né en 1583 qui écrivit des pièces de théâtre, des poèmes et des livrets d'opéra ; Monteverdi en fit la connaissance en 1621,.
5.
Sandra Gilbert and Susan Gubar argue in their seminal book The Madwoman in the Attic (1979) that in Frankenstein in particular, Shelley responded to the masculine literary tradition represented by John Milton's Paradise Lost. Sandra Gilbert et Susan Gubar soutiennent dans leur ouvrage capital The Madwoman in the Attic (1979) que, dans Frankenstein en particulier, Mary Shelley répond à la tradition littéraire masculine représentée par le Paradis perdu de John Milton.
6.
She tried to keep a positive attitude about the situation, though; director Terrence O'Hara commented that he thought Carpenter had "a lot of fun" playing a manipulative Cordelia in the episode "Orpheus" because she enjoyed coming up with Cordelia's new "schizophrenic madwoman" characterization. Cependant, le réalisateur Terrence O'Hara a remarqué que l'actrice s'était beaucoup amusée à interpréter une Cordelia manipulatrice dans l'épisode Orphée et qu'elle avait aimé suggérer la nouvelle personnalité de « folle schizophrénique » de Cordelia.
7.
Bock's additional collaborations with Harnick include Tenderloin (1960), Man in the Moon (1963), She Loves Me (1963), Fiddler on the Roof (1964), The Apple Tree (1966), and The Rothschilds (1970), as well as contributions to Never Too Late (1962), Baker Street (1965), Her First Roman (1968), and The Madwoman of Central Park West (1979). D'autres collaborations entre Bock et Harnick concernent Tenderloin (1960), Man in the Moon (1963), She Loves Me (1963), Fiddler on the Roof (1964), The Apple Tree (1966), et The Rothschilds (1970), ainsi que des contributions à Never Too Late (1962), Baker Street (1965), Her First Roman (1968), et The Madwoman of Central Park West (1979).
